Tuesday, 23 October 2012

Eat Your Campus!


Join Fruit Routes and Landscape & Gardening Group for

Apple Pressing and Harvest Celebration

Friday 26th October


1pm-2pm: Back to Back lunchtime walk. Walk the new Fruit Route with ecologist Ed Darby & artist/poet Paul Connelly – meet at the Shed, Car Park 5, Loughborough University Campus

3.30pm: Apple pressing at the The Shed, Car Park 5. The community group Transition Town Loughborough will be on campus with its wooden apple press. Have a go at pressing apples we have collected on Campus and make fresh juice to take away or make into cider. Free hot soup!

Saturday 27th October


1pm-2pm: Back to Back Walk the new Fruit Route with artists Jo Dacombe & Anne-Marie Culhane – meet at the Shed, Car Park 5, Loughborough University Campus

2pm: Apple pressing, making a scarecrow, pumpkin carving, toffee apples, music etc.

4pm: Morris Dancing Workshop.

5pm: Ending the day with a Bonfire, BBQ, Live Music, Food, Apple Juice and Cider!

all at LAGS Garden, The Shed, Car Park 5
Loughborough University Campus

Seasonal Exchange: You may want to bring along something seasonal to the event – a poem, some fruit or veg, chutney, jam, cake or anything you wish to share.

to find out more:
fruitroutes blog
@fruitroutes
contact: mail@amculhane.co.uk


Sunday, 7 October 2012

Touching stone

In 2009-10 I took part in a wonderful project by Charles Monkhouse called Companion Stones.

I worked with 2 poets to create stones that would be placed in the Peak District, as a companion to the existing guide stoops that have been located there for 300 years. This made part of a network of 12 new stones created by artists and poets.

Charles recently sent me this photograph of one of the stones, that I created with poet John Sewell.


When the stone was first made, it was a beautiful, clean, pale pink limestone that slightly glittered when the sun hit it. However, the paleness of the stone, though lovely, meant it was hard to read the words that John had written due to the lack of contrast. We were interested to see how it would weather.

Two years on, the stone has become embellished with colours; the action of running water has allowed moss or lichen of various greens to grow over its surface, not touching the sides though, they remain the original pink. It has begun to embed itself into the landscape in the way that stone will, as the original guide stoop (located just opposite across the road) has done.

What I absolutely love about this photograph is the evidence of hands rubbing away the green in order to read the words. The words are carved across a spiralling line that works its way into the stone, forming a slight dish in the stone that draws you into the centre. This idea was to echo John's words, "go inward". It seems that people have been drawn into the stone and rubbed at it to reveal the beautiful words, which are now more readable as they have been filled by the green.

Rock climbing is something I do and I love the touch of hand upon rock, the coolness and the sense of timeless solidity of ancient stone. I have climbed a number or gritstone and limestone climbs in the Peak District, each of which are listed in guidebooks with dates of the first time they were climbed, some back to the 1800s. Climbers over the centuries repeat these same climbs, hands touching the same part of rock, making a connection with long gone climbers through the eternity of the stone.

Our Companion Stone also entices numerous hands to touch it, rub at the words, and be drawn inwards into John's beautiful poem. A connection with others, a companion stone.

You can read John's wonderful explanation of his thoughts when he wrote this poem, where to find (and touch) the stones and about all the other Companion Stones, by clicking here.

Sunday, 12 August 2012

Starting at the Green Patch

I start my residency at the Green Patch community allotments in Kettering on Monday.


It's a beautiful site.  Artist Carole Miles and I will be working in the summer house which we put up on Friday. Nestled into a corner of what is the newly planted orchard, our new base already looks quite at home!

It couldn't have come at a better time. Both Carole and I had to move out of our studios in Corby this month, where we have been for 6 years. We could have felt a little lost after all the disruption that has caused. The studios have been a mixed blessing for over that time: a fantastic large space each in our own building with twenty four hour access, yet the building has gradually been deteriorating and the owners have given it little attention, and eventually started to use the central room as a storage area, which was beginning to make us feel unwelcome. Being there has also resulted in Carole and I nurturing our collaborative practice, which could have come adrift once we no longer had a shared building.

So when, only a week after we finally vacated the last items from our old studio spaces, we moved into our collaborative residency at the Green Patch, the move felt positive rather than a wrench. We both feel really excited about this project and the people at the Green Patch seem excited too, making us feel very welcome to invade their space!


We will be working fairly intensely at the allotments for the first two weeks, welcoming local people to come and join us in creating things as well as making our own work inspired by the site. The intention is to create work for the site itself, and for the summer house, which will remain there after we have gone. We will stay in residence for a while longer, into September, and hope to have a celebratory event to finish.

What we will make is very open at this point. We want our work to be in response to the site itself and let it direct our work, so we didn't want to have any preconceived ideas. It will be interesting to see how things unfold; Carole and I are quite different as artists, but we have crossovers of interests and we seem to work well together, so who knows what this three-way collaboration will result in - three ways being me, Carole and the Green Patch itself!

We will be blogging regularly on our collaborative project blog at undiscoverednetworks.blogspot.com so please visit us there.


Thursday, 19 July 2012

Saturday, 7 July 2012

The footsteps of pilgrims

I'm planning a trip to northern Spain and France, which brought me to read about the Camino de Santiago de Compostela, or The Pilgrim Trail.

Two recent interests connect me to this route: walking and the Achurch scallops.

I've been developing a book of drawings and thoughts about walking since January. As I write and draw the book, the ideas of walking as a symbolic action have become quite prominent. The idea of the pilgrim, walking a route that thousands of others have walked over centuries, as a personal journey, as a statement, but also as a physical accomplishment of travelling under one's own steam. The physical nature of walking is what really interests me and is always hardest to convey through drawings and writing, it is the sensory experience of a walk, being out in the elements and feeling the terrain under your feet, that makes walking an especially profound way of travelling, for me.

I've just started reading Robert Macfarlane's lovely book The Old Ways. The idea of routes that have been trodden by others over thousands of years, like the Camino de Santiago, inspires a strange connection with strangers one will never meet, and a sense of being a part of the continuum of history, through the simple act of treading of paths. Macfarlane writes that his guiding spirit for his book is Edward Thomas, poet and essayist, and the first chapter looks at Tracks and this idea of walking over history:
"To Thomas, paths connected real places but they also led outwards to metaphysics, backwards to history and inwards to the self."
The reason for a pilgrim to walk a route rather than merely travel it is fundamental to the experience described in that sentence.

The other interest is the scallop, or rather one particular scallop. Whilst creating the river map for Rosalind Stoddart last year (which I have written about in a number of previous posts, including Reaching Conclusions and Riverlands ), I walked with the two other Jos (Jo Bell and Jo Blake-Cave) along the River Nene to the church in the village of Achurch. Attached to a post just outside the church I found a scallop, the one I sketched for the map and shown above, with the words PILGRIM TRAIL and a cross painted on it in red. A little further along in the hedgerows I found another one.

I don't know who put them there, but it did inspire me to read about the scallop as a symbol for the Pilgrim's Trail.

The scallop seems to have two meanings. One relates to the idea of things washing up on the shore, the way that individual shells might travel, taken by the ocean, and all eventually ending up on the same coast, attracted to the shore by the very rhythms of nature (or God?).

The other meaning is symbolised by the grooves in the scallop. Each of the grooves represent the different paths that pilgrims take, but all converge at the point of the shell, like pilgrims from around the world all ending up in the same place such as Santiago de Compostela.

The history of the Santiago de Compostela and how it became such a revered site (the city became the third most holy site in Christendom after Jerusalem and Rome) is also fascinating and based mainly on unsubstantiated rumour and legend! But we all know that faith does not need facts to be real.

The Sainthood of James is worryingly tied up with bloody tales of faith wars and division, but the more innocent symbol of the scallop still intrigues me. The idea that modern Christians still walk the same paths as those people so many centuries ago, who had very different beliefs and understanding of the world than we do today, and still converge onto the same point as they did, is fascinating to me. And even though I am not a follower of a particular religion, I could also follow those footsteps, see the same sights and feel the weight of history, and see what the path might reveal to me.

Well worn track to the River Nene
To the see the whole of my map of the River Nene, click here.

Friday, 8 June 2012

Smell of Bread

Here is the text that introduces the Smell of Bread exhibition, on throughout June, 1st floor Nottingham Central Library.



‘The Smell of Bread’ is a simple phrase that binds many of us together. It carries with it the ideas of sustenance and comfort. For some, especially those who may be a long way from the country of their birth, it evokes a strong memory of home.
This and the other phrases, images and models in the exhibition have been created by ‘the international group’, a wonderful group of people from places as diverse as Syria, Palestine, China, Swaziland, Poland, Italy, Sudan, Zimbabwe, Swaziland, Turkey and of course Nottingham.
Through a series of highly inspiring workshops led by artists Jo Dacombe and Gillian Brent, participants explored the themes within the Thomas Demand and Decolonizing Architecture exhibition at Nottingham Contemporary.
The group discussed, debated and created artistic responses to the ideas of architecture and how the spaces in which we live can affect the ways in which we live. How do we create places that make us feel secure? How do changing boundaries impact on our lives? How do we begin to imagine and create shared spaces in which we are all equal?
The workshops also supported the group engaging more deeply with contemporary art, improving their artistic skills as well as their spoken and written English. We also hope that the project brought a new set of people together to begin to imagine a better world.
We would like to thank Sam Abbas, Zubeda Rasul, Dudu Bhembe, Tammy Tchi, Allan Njanji, Faisal Ballan, Shaista Khaliq, Banu Ozveri, Hoda Alfake, Samreen Zia, Edyta Frackowiak, Teresa Napiorkowska, and Dwain Bent for all their thoughtful contributions and artists Jo Dacombe and Gillian Brent for supporting and shaping their contributions all the way.
Working with Nottingham Contemporary   

Gill and I will be running workshops as part of a celebration to launch Refugee Week on 16th June at Nottingham Contemporary, drop in between 12 and 5pm.


Saturday, 2 June 2012

Dream Walking book published

I am very pleased to announce that our little book, Dream Walking: a Sidelong walk in Nottingham, is now available!

The book is 20 pages of writing and images by LJ and me about our first project collaborating as Sidelong. We wanted to record some of the ideas and thoughts behind the night walk we staged in Nottingham, so we decided to make this book, describing our influences, how we put the walk together and some of the ideas we had discussed as a collaboration. You can preview the book online here.

LJ and I have some more ideas about further walks we hope to stage together and we're talking right now about how to make them happen. I'm really excited about this, not only do I find LJ's ideas and enthusiasm refreshing, I am also discovering a lot more about Nottingham. Follow this blog, our Sidelong blog or follow the Sidelong Facebook page for updates on our future adventures! You can subscribe to this blog by email at the top left of this page to keep you informed of new posts.

We are interested in creating walks further afield than Nottingham too and have had a few interesting conversations over the past few months with people about possibilities, but so far this has not come to anything. If you know of somewhere interesting that we could explore for a walk, or would like to invite us to be part of an event, please get in touch or leave a comment below. We'd love to hear your ideas.